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When Reading Books Means Business
Every year, the New Yorker’s Money Issue examines a few of the most weird, riveting, and, often, troubling ways in which people pursue great wealth—and spend it. The latest...
The Light of “The Brothers Karamazov”
What is the light in “The Brothers Karamazov”?It is the voices. “The Brothers Karamazov” is a novel of voices. Men, women, young, old, rich, poor, foolish, wise: all are...
A Dark Ecologist Warns Against Hope
The two have sparred before. In 2009, they exchanged public letters in the Guardian, circling a question that nags at many eco-minded Westerners: What, in practice, can one do?...
Mark Bittman’s Experiment in Sliding-Scale Fine Dining
By dinnertime, the café had been convincingly transformed into a restaurant, with tea lights twinkling beside wildflower arrangements on exactingly set tables. The food came out slowly as the...
What Do We Want from Our Child Stars?
Still, Master Betty ruled the little province of Parnassus devoted to underage thespians until the advent of Shirley Temple—and it’s some measure of her talent, or maybe of her...
The Real Housewives of Moscow
A trained observer of psychology, Alina had made careful note of the strategies that seemed to work for these gazelle-like young women. For example: “A man values a woman...
A Bona-Fide Disco Album That Feels Urgently of the Moment
Many of the paired dances of the twentieth century—the foxtrot, the waltz, the Lindy Hop—reflected the binary gender dynamics of the day: men led and women followed, on the...
A Superbloom of Daring Theatre Hits New York
In Preston Max Allen’s “Caroline,” directed deftly by David Cromer, a onetime wild child, Maddie (Chloë Grace Moretz), reëngages with her estranged mother, Rhea (Amy Landecker)—the penitent young woman...
Nia DaCosta’s “Hedda” Shoots Straight
Wresting “Hedda Gabler” from its theatrical confines, DaCosta effects a major structural transformation with graceful ingenuity: the party, which constitutes the entire field of action, is her invention. In...
