World
“One Battle After Another” Is a Powerhouse of Tenderness and Fury
At a crucial moment in “One Battle After Another,” Paul Thomas Anderson’s electrifying new action thriller, someone cries out, “Who are you?!” A fair question. The man being asked...
The Uneasy Prophecies of Cate Le Bon
There’s a scene in Netflix’s “Too Much” in which the heroine, an American transplant in London, listens to a playlist curated by her new British paramour. (Megan Stalter and...
What to See in the 2025 New York Film Festival’s First Week
The New York Film Festival, the centerpiece of the city’s year in cinephilia, is a victim of its own success. Many of its most noteworthy films are already scheduled...
An Intimate Chronicle of Kanye West’s Fall from Grace
One simple way to think of Kanye West is as a genius stuck in the body of a child who’s always on the verge of a tantrum. He takes...
The Mother as Antihero
Sasha Bonét’s matrilineal memoir, “The Waterbearers,” traces the lives of her mother and grandmother: powerful, complicated women whose personalities have been shaped by the rough edges of American society....
The Art of the Impersonal Essay, by Zadie Smith
If it were up to me, for example, I would very happily switch that rickety, always ill-fitting term “humanism” with something broader, more capacious. A bright, shiny neologism that...
Ian McEwan Casts the Climate Crisis as a Story of Adultery
At the start of “What We Can Know,” Ian McEwan’s eighteenth novel, the year is 2119 and the humanities are still in crisis. Thomas Metcalfe, a scholar of the...
Reading the New Pynchon Novel in a Pynchonesque America
As for pace, “Shadow Ticket” reads like one of its subplots, about the Trans-Trianon 2000, a two-thousand-kilometre motorcycle circuit through the disputed territories of Central Europe, all speed and...
The Strange, Cinematic Life of Charlie Sheen
“I think there’s so many stories and images ingrained in people’s minds about the concept of me,” the actor Charlie Sheen tells the camera in the new two-part Netflix...