“Blue Heron” Is an Exalted Drama of Troubled Childhood
The movie’s fluid observational construction conjures drama by compounding micro-incidents; its narrative emerges from the shaping of…
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The movie’s fluid observational construction conjures drama by compounding micro-incidents; its narrative emerges from the shaping of…
Manuel’s approach to narrative is as original as his sense of cinematic form, and his gift for documentary-style observation is balanced…
The First Lady’s lavish new documentary portrays world events as B-roll between wardrobe changes. Source link
The film draws a link between these journalistic versions and the unfolding action through the character of Linda Page (Myha’la), a TV…
This year’s best movies feel plugged in, inextricably connected to forces bigger than the ordinary faces of local and private…
There is a sense of replay in the heightened and artificial diction with which Mateus has her cast bear witness, and this sense is…
The first time we encounter the Creature, though, we see almost nothing of him at all: he is a faceless wraith, in a dark cloak and a…
One of the joys of reviewing movies is witnessing a longtime filmmaker’s artistic breakthrough, as has happened with Kelly Reichardt. A…
A first viewing of Paul Thomas Anderson’s “One Battle After Another” mainly sets up the pleasure of seeing it again. The movie, which runs…
When I’m looking at what’s on offer in the Revivals section of the New York Film Festival—and, for that matter, whenever I see a…
Only two kinds of actors are bad: those who can’t be themselves and those who you wish wouldn’t be. All the rest are likely to shine in…
The New York Film Festival, the centerpiece of the city’s year in cinephilia, is a victim of its own success. Many of its most noteworthy…
Figgis comments that Coppola uses the script as a mere premise, and he likens Coppola’s approach to it as “instinctive,” calling the…
With this humiliation, Joe snaps, and, in short order, commits several shocking acts of deadly violence. His brazen maneuvers to cover his…
From the start of Darren Aronofsky’s new film, “Caught Stealing,” it’s apparent that it hits the sweet spot of his cinematic artistry—the…
The new movie “Eden” features bursts of foul temper, wild sex, grisly violence, and nihilist ideology—a departure, you might say, for Ron…
Film criticism at The New Yorker started with a bang: the first movie reviewed in the first issue, dated February 21, 1925, was the German…
The main elements of Ethan Coen’s new film, “Honey Don’t!,” are sex and violence. Both involve profound sensations and potentially…
Because the Russian alphabet has no direct equivalent of the letter “H,” speakers often substitute a “G” sound; “Harry Potter” thus…
Perhaps because cannibalism comes with the territory, the zombie movie has proved uncommonly immune to a certain strain of critical…
It’s been instructive to see “Ballerina,” which opens this week, so soon after the new “Mission: Impossible” installment. In the latter,…