Sublime Fury at the Ojai Festival
Nostalgia isn’t an Ojai virtue, however, and younger composers kept things current. Messiaen’s nature-consciousness found a counterpart in…
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Nostalgia isn’t an Ojai virtue, however, and younger composers kept things current. Messiaen’s nature-consciousness found a counterpart in…
In Act I, the stage picture is cluttered, the meaning unclear. This is an all too familiar issue at the modern Met, which, under the aegis…
“I really don’t feel that it’s all necessary anymore,” Morton Feldman told an interviewer in 1972. “And so what I try to bring into my…
A hundred and three years on, F. W. Murnau’s “Nosferatu: A Symphony of Horror” still haunts the moviegoing unconscious. Newcomers feel…
Perhaps Rigola should have been more willful in his handling of the text, since his libretto unfolds more like a selection of highlights…
In the spring of 1976, a Latvian architecture student named Hardijs Lediņš organized a music festival at the Riga Polytechnic Institute.…
John Corigliano’s First Symphony, which Gustavo Dudamel and the New York Philharmonic presented early in the new season, begins with a…
How does a singular musical personality emerge from an agglomeration of pitches? The characteristic quirks of major composers are easily…
Virginia Woolf, in her essay “The Lives of the Obscure,” savors the potential fascination of reading authors whom posterity has cast…
Bach’s Mass in B Minor begins with a majestic howl of pain—four adagio bars that combine formal grandeur with writhing interior lines, as…
The Biblical figure of Salome, Princess of Judea, who dances before Herod Antipas and demands the head of John the Baptist as a reward,…