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The Rise of the Meta-Gay Show
At times, this approach can wear thin, the air quotes so enormous that they dwarf what’s inside them. But, when the method clicks, it…
Tag
the theatre
News
The Fear Driving “Well, I’ll Let You Go” and “Othello”
Like the recent Broadway play “Little Bear Ridge Road,” “Well, I’ll Let You Go” is a portrait of people living in isolation, their walls…
News
“Schmigadoon!” and “The Lost Boys” Are Killer Revamps
The first sign of the show’s commitment to the bit is the third song, a delirious hoedown called “Corn Puddin’,” a parody of inane but…
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Sharp Claws at “Becky Shaw” and “Cats: The Jellicle Ball”
Still, what distinguishes Gionfriddo is not her ear for cruelty but her ability to see beyond it, and to shift the prism of audience…
Culture
Broadway’s “Dog Day Afternoon” Is a Dog
Sidney Lumet’s kinetic, emotionally complex film has been transformed into a hokey sitcom with gunshots. Source link
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Two Playwrights Tackle Father Figures
Still, the most remarkable performance at the Cherry Lane is by Peter Friedman, who plays the kind of father you rarely see in art: a good…
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“An Ark” Imagines the Afterlife; “Data” Imagines a Corporate Hell
There will be future applications of “mixed reality,” I’m sure, and I hope they work with funkier material. Personally, I’d rather get…
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In Tracy Letts’s “Bug,” Crazy Is Contagious
In Cromer’s framing, that hollowness begins to feel like the play’s sad theme: when someone is on a desperate hunt for meaning, the source…
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Matthew Broderick Stars as the Titular Grifter in “Tartuffe”
Cross and Broderick here offer studies in otiose passivity. Each gets big laughs from portraying inertia: their performances abound in…
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Memory Speaks in “Marjorie Prime” and “Anna Christie”
Helen Shaw reviews “Marjorie Prime,” with June Squibb, Cynthia Nixon, and Danny Burstein, Source link
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“This World of Tomorrow” and “Oedipus” Dramatize the Power of the Past
To write “Tomorrow,” Hanks and Glossman adapted several of Hanks’s own short stories, primarily “The Past Is Important to Us,” which he…
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Kristin Chenoweth’s Uneven Gilt Trip in “The Queen of Versailles”
There’s a clarity to the arc of Greenfield’s documentary: first the pride goeth, then a fall teacheth. It’s a shame that the musical gets…
Culture
Laurie Metcalf’s Stunning Return to Broadway in “Little Bear Ridge Road”
Samuel D. Hunter’s “Little Bear Ridge Road,” directed by Joe Mantello at the Booth, on Broadway, is a small, quiet drama set in a large,…
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Yasmina Reza’s “Art” Feeds Our Appetite for Argument as Entertainment
Is there anything left of the old concept of debate? The practice of good-faith argument feels harder and harder to find, even as…
Business
The Return of Tarell Alvin McCraney’s Masterpiece, “The Brothers Size”
At the beginning of Tarell Alvin McCraney’s poetic drama “The Brothers Size,” now at the Shed, one of the play’s three actors pours white…
Business
A Merry and Rambunctious “Twelfth Night” in Central Park
On the Saturday evening that I saw “Twelfth Night, or What You Will,” the sole production of the Public Theatre’s Shakespeare in the Park…
News
Williams in Williamstown
On the last day of the first weekend of the Williamstown Theatre Festival, a brief storm struck. We had gone into the ’62 Center for…
Culture
Jean Smart and John Krasinski Go It Alone, on Broadway and Off
This has been the season of the star. For months now, possibly because the film and television industries spent 2024 in disarray, New York…
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Hugh Jackman and Liev Schreiber Star in a Pair of Psychosexual Slugfests
“The new wine has burst the old bottles,” the playwright August Strindberg wrote, in a bullish preface to his 1888 play “Miss Julie,”…